Tag Archives: advice for writers

I’ve got the NaNoWriMo Blues…again

I probably have my priorities screwed up in this month of no shaving and writing novels and thanking veterans and giving thanks…

Because here I am again…two weeks into NaNoWriMo, completely behind the word count goals, and pining for the freedom to spend all day writing.  But, given the chance, I am still not going to steal away and write to hit a word count mark.  I end up singing the blues for the “woe is me” situation of my writing practice, because…

See, I’m what they call a “long-hander.”pen and paper

I write on paper.  Preferably with pencils, but also with pens when there is no sharpener readily handy.  I write fiction this way, because I write crap when I don’t.  There is something too easy about typing directly onto a screen.  Stream of consciousness exercises are better with a keyboard, true, just for speed, but I have a direction and characters and a world I am crafting, and to do that I, personally, need to get my hands into it.  I feel a stronger connection with my story when I am scratching it out by hand than when I am typing.  I must have some better hand/mind connection when I write this way, because I feel like what gets crafted directly into a computer is kind of…soulless*.  And forcing the soul in there after the fact is ever so much difficult for me.  Surely a creator must start with a soul, right?

*Disclaimer:  I am not saying that all people who write on computers are writing soulless stories…this only applies to me, as far as I know.  Maybe you can relate, though. Maybe?

My first draft of anything is almost always on paper first.  Transcribing my handwriting into the computer is the second draft.  And I am usually happy to share this version with my writing friends, because it has the soul of the first draft and the roundness of the second draft.  It’s my method and it works for me.  It does not work so well for NaNoWriMo, though.  Instead of trying to long-hand write 1,667 words a day, this year, I am trying to transcribe 1,667 words a day–not really true to the spirit of the challenge, but hey, it works for me.  I’ve done a pretty sizable chunk of writing over the summer–everyone in my “Sit Down, Shut Up, and Write” group sort of rolls their eyes at me and my wonky composition notebooks and collection of pencils (I need about 3 sharpened pencils to get through an hour of writing). So what if I’m retro? Does it make me a hipster to write this way?  I don’t really care what other people think of my process.  I have lived long enough trying to do this magical alchemy called to writing to know what method works best for me.

Today’s writing challenge, then, is one focused on YOUR method and finding it.writing at computer

First, pull out some paper and your favorite writing utensil and do some of your work on paper for at least 15 minutes.  Try a stream of consciousness exercise and see where it takes you.  If you are NaNoWriMo-ing, work on your next scene.  For those of you who have terrible penmanship, maybe use this time to block out the next chapter.  Consider the actions your character could take and draw a map.  The point is to just get your hands into “crafting” a piece of work rather than just keyboarding.

Second, find your favorite computer, open a freshly blank file, and try a 15 minute stream of consciousness exercise again.  You may want to pick up where you left off on the last exercise, or start anew.  If you really like what you just wrote, and want to use it, spend about 10 minutes transcribing it.  Spend the next 5 minutes adding more details.

When you are done, consider the two works you produced.  Which method *felt* better?  Which method produced better writing?  Did you like meshing the two methods into a unified piece of work?  Or did you just find paper to be a nuisance?  Did the computer “disrupt” your paper-method thinking?  Did you think about anything in a different way when you were “disconnected” from an electronic device.  Did your writing seem richer in one method or the other?

I know some (most?) of you will eschew the low-techness of longhand writing, but it’s a very green method that requires no electricity, it’s cheap, portable, and incorruptible by viruses or power outages.  On the other hand, you do have to use trees to get paper and pencils, you’ll need to find a computer someday, anyway, to produce the document for professional submissions, and you must be able to read what you wrote.  Try to stay green by using recycled products, or writing on any “left over” paper you can find.  I have a purse full of scribbled-on bill envelopes.

Use this exercise to jump start you on a writing day, or save it for later when you aren’t trying to hit a word count.  Hopefully it helps you figure out your best creativity style and aids you in your next story.

Good luck!

Leave a comment

Filed under Writing

Go Through Any Door

You were gruff and unapologetic and funny and smart and a spitfire and I admire your moxie. Goodbye, funny lady.

Write Under Your Nose

On “making it” into the world of comedy.

Sage advice from a comedienne who started her career writing bits for a puppet (Topo Gigio on the Ed Sullivan Show).  You cannot afford to wait around for the perfect situation.  Get your foot in the door and then your elbow and then, like the hokey pokey, your whole self.  I’ve been waiting for a very long time for the stars to align, my writing room to be completed, my favorite pencils to be on sale…yadda, yadda, yadda.

Once you have decided that you aren’t going to wait around anymore, be vigiliant for those cracked doors just waiting for you to insert yourself.  You are the only one who puts limitations on you.  And, likewise,  you are the only one who can strip them away.

Get to stripping, do the hokey pokey, and get in the door!

View original post

Leave a comment

Filed under Writing

Making it a Practice

Ever since I left grad school, writing fiction (my favorite kind of writing) has become a thing I do fleetingly–when I can spare the time–when I happen to be inspired–when I have run out of TV shows to watch.  Needless to say, all of my fumbling towards “being a writer” has been more like half-remembered dreams than like a vocation to which I am dedicated and committed.  You know.  Life gets in the way.

But life only gets in the way because I let it.  Because I don’t intentionally carve out time for the writing to happen.  Because I don’t have a set time to write.  Because I don’t have a dedicated space to write.  Because I don’t have a goal or a deadline.  Man, I am lame.

So.  If this business of being a writer is ever going to become something real, it’s time to make a change. And I will be following in the footsteps of many a writer who has had to do that same.

Of John Grisham’s routine (from a San Francisco Chronicle interview): “When he first started writing, Grisham says, he had “these little rituals that were silly and brutal but very important. The alarm clock would go off at 5, and I’d jump in the shower. My office was 5 minutes away. And I had to be at my desk, at my office, with the first cup of coffee, a legal pad and write the first word at 5:30, five days a week.”  His goal: to write a page every day. Sometimes that would take 10 minutes, sometimes an hour; ofttimes he would write for two hours before he had to turn to his job as a lawyer, which he never especially enjoyed.”

So, Mr. Grisham disliked his day job, too.

And Alice Munro:  As a young author taking care of three small children, Munro learned to write in the slivers of time she had, churning out stories during children’s nap times, in between feedings, as dinners baked in the oven. It took her nearly twenty years to put together the stories for her first collection, Dance of the Happy Shades, published in 1968 when Munro was thirty-seven. (From The Atlantic)

This gives me hope and pause, alike.  I am a step mother and wife and all of the chores outside of my “day job” really add up into something like a black hole into which all of my wherewithal disappears.  But if Alice can do it, can’t we?

When I started scheming up this plan to create a daily routine, I thought back to an interview I once read in The Paris Review about Toni Morrison’s practice (forgive the long excerpt):

Writing before dawn began as a necessity–I had small children when I first began to write and I needed to use the time before they said, Mama–and that was always around five in the morning. Many years later, after I stopped working at Random House, I just stayed at home for a couple of years. I discovered things about myself I had never thought about before. At first I didn’t know when I wanted to eat, because I had always eaten when it was lunchtime or dinnertime or breakfast time. Work and the children had driven all of my habits… I didn’t know the weekday sounds of my own house; it all made me feel a little giddy.

I was involved in writing Beloved at that time–this was in 1983–and eventually I realized that I was clearer-headed, more confident and generally more intelligent in the morning. The habit of getting up early, which I had formed when the children were young, now became my choice. I am not very bright or very witty or very inventive after the sun goes down.

Recently I was talking to a writer who described something she did whenever she moved to her writing table. I don’t remember exactly what the gesture was–there is something on her desk that she touches before she hits the computer keyboard–but we began to talk about little rituals that one goes through before beginning to write. I, at first, thought I didn’t have a ritual, but then I remembered that I always get up and make a cup of coffee and watch the light come. And she said, Well, that’s a ritual. And I realized that for me this ritual comprises my preparation to enter a space I can only call nonsecular… Writers all devise ways to approach that place where they expect to make the contact, where they become the conduit, or where they engage in this mysterious process. For me, light is the signal in the transaction. It’s not being in the light, it’s being there before it arrives. It enables me, in some sense.

I tell my students one of the most important things they need to know is when they are at their best, creatively. They need to ask themselves, What does the ideal room look like? Is there music? Is there silence? Is there chaos outside or is there serenity outside? What do I need in order to release my imagination?

I found these at Daily Routines, by the way.  It is truly fascinating to see how other people work.

So many authors seem to prefer writing in the morning or mid-day, but I guess I’ve never had a place and time in my “real” life (aka outside of being a full-time student) that I had the luxury to figure out what time of day is the best for me to “make the contact” with my craft.  I’ve always had to beg, steal, and borrow from time I’ve meant to spent doing something else.  But here I am, now vowing to find time everyday to write.  In all honesty, I am not even going to try for the morning.  I am a recovering night owl and sleep has become a friend of mine.  So often, I let work spill into a post-5pm place in my world, but I don’t really have to do that on most days.  So, this week, I am shooting for 5:30 – 6:30 PM as my writing time.  It’s a nice lull in the day when my brain is still “on” but I don’t want to think about work anymore.

I predict the hard part will be pulling myself away if I get in the groove of writing.  But how about dealing with that problem when it presents itself? And if this time ends up not working for some reason, I’ll reassess.

The challenge I’m setting for myself, then, is at LEAST one hour a day, write as much as possible during this time.  I want to have the equivalent of a chapter at the end of every seven-day period (eek!).  No backing up midweek to edit.  Just writing.  I have a plan for a space in which to write, so I’ll try it out and see how it works.  If it doesn’t work, I’ll move.  My first instinct is to just grab a pencil and loose paper and lean against a tall desk and start.  I might need music.  I might need it through headphones, even.  But I’m going to give it a shot and see how it goes.  But it WILL go.  And hopefully this will be a way into the dream.

Set your own daily practice goal and give it a try.

Leave a comment

Filed under Writing

I DO want what I haven’t got

In the wee hours of the morning, I find myself dreading the workday.  Most days, I wish I could just stay in bed and sleep.  I hit the snooze button too many times for my own good.

But this morning I wished for something else.

Freedom.

I wished for a life that makes me want to leap out of bed and chase after it.  Like a mad woman.  Like a dangerous girl.

And although I haven’t been able to embody a whole lot of the things I have learned in this life, I do know this:  If you want it, you have to go after it.  No fairy godmother is going to come around with pixie dust that will let me grow money on a tree in the backyard or grant me an infinity of wishes.

I can hedge my bets and pursue a new job, or find a way to telework, or move to a new house, or start taking a new class, or any number of things that change my current situation.  But I know that each one of those things will result in the same state of mind in less time than I’d like to admit to myself.  I can use these skills–this ability to write–in a multitude of ways that will afford me a reliable paycheck.  Reliable paychecks are good…they are the stuff of “making a living” and paying the bills and putting food on the table.  Part of me is ashamed to find fault with my fairly blessed life.

But another part of me is not ashamed.  I am not ashamed to dream.  I am not ashamed to want more, to want better, to want passion, to want success doing something I love.  I will hold on to this wish–this dream for a more authentic life–and I will hold on to this job in the meantime, but I promise myself to keep going after the dream.

It’s too easy to give up, anyway.  This life means too much to just sit back and let it slide by.

Don’t let your life slide by, people.  It’s too short and comes with no guarantees, but it does come with hope.  Gather up your wherewithal and go after what you really want.

2 Comments

Filed under Dreams

Into the Madness…Publishing

This publishing business is a whirl of maddening “do this” and “don’t do that” nonsense.  And part of me wants to print out a list of the “to do’s” and check them off one by one.  Everyday.  Twice a day, if I have to.

But part of me is…wanting to get on with it.  Back to writing.  Back to doing the work with the words.

I WISH that my story becomes a hit!  I wish that someone reads it and says, “Huh, that story about the stripper and the old guy wasn’t what I was expecting at all!  And it was still really entertaining!  I’m going to recommend this to my friends!”  And they do!  Hooray!  Readers!

Ahem.

So, now that the wishing is done and sent into this electronic ether along with my story, I am content to let them go.  Baby birds from the nest!  Baby turtles to the sea!

Oh, who am I kidding?  I will, without a doubt, check in on my story at least daily and send up wishes like confetti while I am taking a “stretch break” from writing the next thing.  I can *say* I don’t care about my Amazon sales rank, but that would be a pitiful lie.  Pitiful indeed.

So, I cannot promise that I will stop trying to plug my story when the irresistible urge arises, but I’m going to try.  Scout’s honor.

 

 

Leave a comment

Filed under Writing

Food for Thought

If you have read “Like Water for Chocolate,” by Laura Esquivel, or “Julie and Julia: My Year of Cooking Dangerously,” by Julie Powell, or “The Things They Carried,” by Tim O’Brien, or…I could just keep going…you know how important food can be to a story.  We have it around us every day, we all have our partiuclar favorite dish, idiosyncratic flavor combinations, and favorite (or least favorite) family recipes.  If your house is anything like my house, the food I make is what makes it smell like “my” house.

Since taste and smell are two of the five senses, including a food description in a scene can help bring it alive and place your reader into your story.  This is a good way to “show, don’t tell” that will make most scenes more relatable.  You can also set mood and tone with cooking smells and flavors.  You can explain a whole culture by its food.  And you can use it in negative or positive ways.  Too much, too little, too rich, too salty, or…just perfect.

For an exercise, put food in a scene.  It can be prominent or mere background.  It can be the focus of a character’s emotion, or a way that two characters relate to one another.  It can be life or death.

  • If you have trouble finding your way into this one, try thinking about a favorite food from your childhood and how that food made the moment perfect–how do you react now when you have, or even just smell, that same food today?
  • Or, think about your favorite food now.  Do you go the distance to make it perfect for yourself?  Or do you make a special trip to that restaurant to get it once a week?  What would happen if you introduce this deliciousness to someone else?  Would they think you are crazy for liking it?  Would they share your enthusiasm and demand the recipe?  Would you share it?
  • Or, think about a trip you took and how the food made it an even exceptional experience, or how the food ruined everything for you.  What did it smell like?  Where where you?  Why was it so amazingly good or bad?  What did you find yourself “homesick” for?

Bon appetit!

Leave a comment

Filed under Writing

Go Through Any Door

On “making it” into the world of comedy.

Sage advice from a comedienne who started her career writing bits for a puppet (Topo Gigio on the Ed Sullivan Show).  You cannot afford to wait around for the perfect situation.  Get your foot in the door and then your elbow and then, like the hokey pokey, your whole self.  I’ve been waiting for a very long time for the stars to align, my writing room to be completed, my favorite pencils to be on sale…yadda, yadda, yadda.

Once you have decided that you aren’t going to wait around anymore, be vigiliant for those cracked doors just waiting for you to insert yourself.  You are the only one who puts limitations on you.  And, likewise,  you are the only one who can strip them away.

Get to stripping, do the hokey pokey, and get in the door!

1 Comment

Filed under Uncategorized

Everything Great

From one of my favorite authors, the creator of Pippi Longstocking, Astrid Lindgren

Leave a comment

Filed under Writing

Desire Defines Us

Advice from a master

It keeps me up at night…trying to figure out what a character wants.  They are born and living only in my brain until I relinquish them to the world at large.  I think this snippet of advice from Mr. Vonnegut is true.  And as simple as it sounds, actual human beings are pretty complex and often times have no idea what they really want.  Our friends may be better at knowing what we want than we do ourselves.  I say I want a different job, but what do I *really* want?  More money? More security? To be my own boss?  To not have anyone to tell me what to do? Freedom?

Consider what your character(s) want/s.  If it isn’t clear to you, workshop that character until they have it:  desire.  For something…anything.  If they do already “want” something and it is something simple (like a glass of water), why is this simple thing so important?  Does your character get what they want or not?  Do they even understand this about themselves, or are they, like most of us, oblivious to this driving force?  If they DO get it, is it everything they hoped it would be?

After pondering these questions…write for 15 minutes and see where you, and your character, end up.  Good luck!

Leave a comment

Filed under Writing

“Write What You Know”

From Astrophel and Stella, 1591

I cross-stitched this in fancy script once upon a time.  Framed and matted, it hung over my bedside table so I would see it when I woke up in the morning and when I went to bed at night.  What a sappy romantic, right?

It reminds me that I have something important to write, and where to look to find my source.  And I don’t mean that in a lovey-dovey way, of course.  One of the things you will hear from other authors and teachers is to “write what you know.”  When I was younger, I had a real problem with that advice because I was at least self-aware enough to understand that I didn’t know much.  And how do sci-fi, fantasy, crime thriller, etc. writers write what they know when what they want to write about requires time-travel or alternate universes or to BE a murderous phychopath?  And if I’ve had a pretty crappy life, that is quite frankly, the LAST thing I want to be writing about. 

For me, it means, “write your truth.”  And when you strip your life’s experiences down to the nuts and bolts, whatever this life has taught you is what you should be writing about.  Of course, you can apply it literally, which will add the richness of first-hand experience to your craft, but again, that is because it is true. 

For me, these truths are stored in my heart, and that is where I should look when I am wondering, “what do I write next?”

Leave a comment

Filed under Writing