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I’ve got the NaNoWriMo Blues…again

I probably have my priorities screwed up in this month of no shaving and writing novels and thanking veterans and giving thanks…

Because here I am again…two weeks into NaNoWriMo, completely behind the word count goals, and pining for the freedom to spend all day writing.  But, given the chance, I am still not going to steal away and write to hit a word count mark.  I end up singing the blues for the “woe is me” situation of my writing practice, because…

See, I’m what they call a “long-hander.”pen and paper

I write on paper.  Preferably with pencils, but also with pens when there is no sharpener readily handy.  I write fiction this way, because I write crap when I don’t.  There is something too easy about typing directly onto a screen.  Stream of consciousness exercises are better with a keyboard, true, just for speed, but I have a direction and characters and a world I am crafting, and to do that I, personally, need to get my hands into it.  I feel a stronger connection with my story when I am scratching it out by hand than when I am typing.  I must have some better hand/mind connection when I write this way, because I feel like what gets crafted directly into a computer is kind of…soulless*.  And forcing the soul in there after the fact is ever so much difficult for me.  Surely a creator must start with a soul, right?

*Disclaimer:  I am not saying that all people who write on computers are writing soulless stories…this only applies to me, as far as I know.  Maybe you can relate, though. Maybe?

My first draft of anything is almost always on paper first.  Transcribing my handwriting into the computer is the second draft.  And I am usually happy to share this version with my writing friends, because it has the soul of the first draft and the roundness of the second draft.  It’s my method and it works for me.  It does not work so well for NaNoWriMo, though.  Instead of trying to long-hand write 1,667 words a day, this year, I am trying to transcribe 1,667 words a day–not really true to the spirit of the challenge, but hey, it works for me.  I’ve done a pretty sizable chunk of writing over the summer–everyone in my “Sit Down, Shut Up, and Write” group sort of rolls their eyes at me and my wonky composition notebooks and collection of pencils (I need about 3 sharpened pencils to get through an hour of writing). So what if I’m retro? Does it make me a hipster to write this way?  I don’t really care what other people think of my process.  I have lived long enough trying to do this magical alchemy called to writing to know what method works best for me.

Today’s writing challenge, then, is one focused on YOUR method and finding it.writing at computer

First, pull out some paper and your favorite writing utensil and do some of your work on paper for at least 15 minutes.  Try a stream of consciousness exercise and see where it takes you.  If you are NaNoWriMo-ing, work on your next scene.  For those of you who have terrible penmanship, maybe use this time to block out the next chapter.  Consider the actions your character could take and draw a map.  The point is to just get your hands into “crafting” a piece of work rather than just keyboarding.

Second, find your favorite computer, open a freshly blank file, and try a 15 minute stream of consciousness exercise again.  You may want to pick up where you left off on the last exercise, or start anew.  If you really like what you just wrote, and want to use it, spend about 10 minutes transcribing it.  Spend the next 5 minutes adding more details.

When you are done, consider the two works you produced.  Which method *felt* better?  Which method produced better writing?  Did you like meshing the two methods into a unified piece of work?  Or did you just find paper to be a nuisance?  Did the computer “disrupt” your paper-method thinking?  Did you think about anything in a different way when you were “disconnected” from an electronic device.  Did your writing seem richer in one method or the other?

I know some (most?) of you will eschew the low-techness of longhand writing, but it’s a very green method that requires no electricity, it’s cheap, portable, and incorruptible by viruses or power outages.  On the other hand, you do have to use trees to get paper and pencils, you’ll need to find a computer someday, anyway, to produce the document for professional submissions, and you must be able to read what you wrote.  Try to stay green by using recycled products, or writing on any “left over” paper you can find.  I have a purse full of scribbled-on bill envelopes.

Use this exercise to jump start you on a writing day, or save it for later when you aren’t trying to hit a word count.  Hopefully it helps you figure out your best creativity style and aids you in your next story.

Good luck!

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Finders Keepers

I’ve been dreaming up some writing exercises and trying to suss out which one I want to post first.  And then it dawned on me…what last happened in my own life to make me pick up a pen with a sense of urgency?

It was a found object.  I literally found a ring in the gutter on one of my night-time walks around the neighborhood.  It’s engraved inside and out, and seems to have once been cherished by someone…so what was it doing in the gutter?

I put a lot of internet snooping into finding the owners of the names engraved inside the ring.  As luck would have it, the combination of these two fairly unique names resulted in a couple who no longer seem to be together.  Which is sad, of course… I found a picture of them together.  They might have been high school sweethearts.  It seems that their paths diverged at least four years ago, though.

And then I began to wonder how this ring came to be in the gutter of my neighborhood some four years after these folks parted ways.

So.  I began to write.

It seems like the perfect exercise to me.  What would you do if you found such an item?  What IS the story?  Or, bring your own found object to the exercise and use it as a jumping off place into a new story, or as a character building exercise by writing from the point of view of one of your characters…what would s/he do with a found ring? A found…key, pocketwatch, shoe, sweatshirt, pen?…It can be anything!  OR have one of your characters be the one who lost, threw away, or intentionally left behind this object of curiosity.

So many possibilities!  I might start this exercise over again to go into another story already in the works.  Hm…exciting!

Good luck!

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Food for Thought

If you have read “Like Water for Chocolate,” by Laura Esquivel, or “Julie and Julia: My Year of Cooking Dangerously,” by Julie Powell, or “The Things They Carried,” by Tim O’Brien, or…I could just keep going…you know how important food can be to a story.  We have it around us every day, we all have our partiuclar favorite dish, idiosyncratic flavor combinations, and favorite (or least favorite) family recipes.  If your house is anything like my house, the food I make is what makes it smell like “my” house.

Since taste and smell are two of the five senses, including a food description in a scene can help bring it alive and place your reader into your story.  This is a good way to “show, don’t tell” that will make most scenes more relatable.  You can also set mood and tone with cooking smells and flavors.  You can explain a whole culture by its food.  And you can use it in negative or positive ways.  Too much, too little, too rich, too salty, or…just perfect.

For an exercise, put food in a scene.  It can be prominent or mere background.  It can be the focus of a character’s emotion, or a way that two characters relate to one another.  It can be life or death.

  • If you have trouble finding your way into this one, try thinking about a favorite food from your childhood and how that food made the moment perfect–how do you react now when you have, or even just smell, that same food today?
  • Or, think about your favorite food now.  Do you go the distance to make it perfect for yourself?  Or do you make a special trip to that restaurant to get it once a week?  What would happen if you introduce this deliciousness to someone else?  Would they think you are crazy for liking it?  Would they share your enthusiasm and demand the recipe?  Would you share it?
  • Or, think about a trip you took and how the food made it an even exceptional experience, or how the food ruined everything for you.  What did it smell like?  Where where you?  Why was it so amazingly good or bad?  What did you find yourself “homesick” for?

Bon appetit!

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Everything Great

From one of my favorite authors, the creator of Pippi Longstocking, Astrid Lindgren

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“Write What You Know”

From Astrophel and Stella, 1591

I cross-stitched this in fancy script once upon a time.  Framed and matted, it hung over my bedside table so I would see it when I woke up in the morning and when I went to bed at night.  What a sappy romantic, right?

It reminds me that I have something important to write, and where to look to find my source.  And I don’t mean that in a lovey-dovey way, of course.  One of the things you will hear from other authors and teachers is to “write what you know.”  When I was younger, I had a real problem with that advice because I was at least self-aware enough to understand that I didn’t know much.  And how do sci-fi, fantasy, crime thriller, etc. writers write what they know when what they want to write about requires time-travel or alternate universes or to BE a murderous phychopath?  And if I’ve had a pretty crappy life, that is quite frankly, the LAST thing I want to be writing about. 

For me, it means, “write your truth.”  And when you strip your life’s experiences down to the nuts and bolts, whatever this life has taught you is what you should be writing about.  Of course, you can apply it literally, which will add the richness of first-hand experience to your craft, but again, that is because it is true. 

For me, these truths are stored in my heart, and that is where I should look when I am wondering, “what do I write next?”

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