Tag Archives: characters

April 8, 2014 · 10:19 am

Finders Keepers

I’ve been dreaming up some writing exercises and trying to suss out which one I want to post first.  And then it dawned on me…what last happened in my own life to make me pick up a pen with a sense of urgency?

It was a found object.  I literally found a ring in the gutter on one of my night-time walks around the neighborhood.  It’s engraved inside and out, and seems to have once been cherished by someone…so what was it doing in the gutter?

I put a lot of internet snooping into finding the owners of the names engraved inside the ring.  As luck would have it, the combination of these two fairly unique names resulted in a couple who no longer seem to be together.  Which is sad, of course… I found a picture of them together.  They might have been high school sweethearts.  It seems that their paths diverged at least four years ago, though.

And then I began to wonder how this ring came to be in the gutter of my neighborhood some four years after these folks parted ways.

So.  I began to write.

It seems like the perfect exercise to me.  What would you do if you found such an item?  What IS the story?  Or, bring your own found object to the exercise and use it as a jumping off place into a new story, or as a character building exercise by writing from the point of view of one of your characters…what would s/he do with a found ring? A found…key, pocketwatch, shoe, sweatshirt, pen?…It can be anything!  OR have one of your characters be the one who lost, threw away, or intentionally left behind this object of curiosity.

So many possibilities!  I might start this exercise over again to go into another story already in the works.  Hm…exciting!

Good luck!

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February 13, 2013 · 4:18 pm

What Lola Wants…

Maybe this is particular to a certain subset of the population, but I know more than one person who has another name for who they become when they are…er…drunk.

One friend becomes “Dwayne,” a bullish, brute of a redneck.  Another turns into “Kitty,” who purrs and swishes an imaginary tail.  And me?  Well, I’m Lola.

And it’s definitely a farce for me.  I don’t get so drunk that I don’t KNOW that I’m pretending to be Lola.  Lola who has red hair (even though mine is really blonde) and speaks in a terribly hit-or-miss (and shame on me, stereotypical) Puerto Rican accent.  Who dips her fingers into other people’s drinks (usually just my significant other’s), and dances way more provacatively than I ever would.  Who sometimes bums a cigarette from a perfect stranger and takes a few puffs, but mostly lets it burn down,  so she can flick ashes like punctuation marks in her conversations.  Ha ha, right?  Ahem.

But Dwayne, he borders on being my friend’s alter ego.  Like a “Jeckyll and Hyde” alter ego.  Like “The United States of Tara” alter ego.  Dwayne likes to fight.  My friend does not.  Dwayne likes to smash things.  My friend has zero idea how his knuckles got busted up.  Dwayne doesn’t talk much.  My friend makes a living by talking.  Okay, so my friend might have a drinking problem, but it is still interesting how much a person can change “under the influence.”

This scenario can lead to a variety of exercises…here are the ones that come to my mind:

  1. Who is your alter ego? (If you don’t have one, make one up now!)  Who are they and what do they do that is different than you?  What does this “person” do that you would never do?  Create a new character based upon this “alter.”
  2. Does one of your characters behave differently when they are “under the influence?”  Do they transform into a monster or a pussycat?  Do they like to drink?  Do they never drink?  Why or why not?  Or, conversely, are they even more themselves when imbibing.
  3. Create a situation where a character encounters a Dwayne or Kitty.  Are they amused, frightened, disgusted, indifferent?  Do they set up Dwayne to get into a fight?  Do they play along with Kitty and her imaginary tail?  Are they completely bewildered, demanding that the “real” person answer them?  Does the “real” person oblige, or continue to hide behind Dwayne’s fist or Kitty’s purr?

Have fun with this one.  Use one or more of these exercises to explore a new character or create conflict in a scene.  Deepen a relationship between two characters, or create a giant rift.

Lola is off to paint her nails, now (I have a date for Valentine’s Day).  Good luck!

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January 31, 2013 · 11:47 am

Gone Missing

Your character has been kidnapped!

What is his/her first reaction?  Is it a scary situation or just confusing?  Maybe it was a pleasant aside that turned sinister, or maybe your character knows the kidnapper and doesn’t even realize what is happening?

Try to create a beginning, middle, and end to the situation…if it ends.  Does the character lose his/her identity or sense of what is real?  Does s/he dream about her “real” life?  Does your character try to escape?  How? 

Or…switch it…

Your character has kidnapped someone!  Who? Why?  What happens?

Even if you don’t use this writing exercise in a story, thinking about your character’s reactions and choices can really help shape them into a more “real” entity with a better-defined personality.  And, if you can really take yourself into such a scenario, you might just have a new story on your hands! Good luck!

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October 22, 2012 · 5:01 pm

Desire Defines Us

Advice from a master

It keeps me up at night…trying to figure out what a character wants.  They are born and living only in my brain until I relinquish them to the world at large.  I think this snippet of advice from Mr. Vonnegut is true.  And as simple as it sounds, actual human beings are pretty complex and often times have no idea what they really want.  Our friends may be better at knowing what we want than we do ourselves.  I say I want a different job, but what do I *really* want?  More money? More security? To be my own boss?  To not have anyone to tell me what to do? Freedom?

Consider what your character(s) want/s.  If it isn’t clear to you, workshop that character until they have it:  desire.  For something…anything.  If they do already “want” something and it is something simple (like a glass of water), why is this simple thing so important?  Does your character get what they want or not?  Do they even understand this about themselves, or are they, like most of us, oblivious to this driving force?  If they DO get it, is it everything they hoped it would be?

After pondering these questions…write for 15 minutes and see where you, and your character, end up.  Good luck!

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October 20, 2012 · 9:00 am

“Write What You Know”

From Astrophel and Stella, 1591

I cross-stitched this in fancy script once upon a time.  Framed and matted, it hung over my bedside table so I would see it when I woke up in the morning and when I went to bed at night.  What a sappy romantic, right?

It reminds me that I have something important to write, and where to look to find my source.  And I don’t mean that in a lovey-dovey way, of course.  One of the things you will hear from other authors and teachers is to “write what you know.”  When I was younger, I had a real problem with that advice because I was at least self-aware enough to understand that I didn’t know much.  And how do sci-fi, fantasy, crime thriller, etc. writers write what they know when what they want to write about requires time-travel or alternate universes or to BE a murderous phychopath?  And if I’ve had a pretty crappy life, that is quite frankly, the LAST thing I want to be writing about. 

For me, it means, “write your truth.”  And when you strip your life’s experiences down to the nuts and bolts, whatever this life has taught you is what you should be writing about.  Of course, you can apply it literally, which will add the richness of first-hand experience to your craft, but again, that is because it is true. 

For me, these truths are stored in my heart, and that is where I should look when I am wondering, “what do I write next?”

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October 16, 2012 · 11:37 pm

To Every Season…Turn, Turn, Turn

It seems, as I get older, I both enjoy the seasons and despise them. 

I like the way the light starts to shift in early autumn–it makes me see the late summer greening that happens in Texas in a different way.  It’s a melancholy wistfulness that takes over me…remembering times from my childhood when I spent these days playing in the woods and romping through fields after school and all weekend long.  When a day somehow stretched beyond itself.  

One day it will seem like “fall has arrived” and the next will seem like “it’s spring again.”  We will get a good chill in the air, overcast days with damp, blustery breezes, and the heavier blankets come out and windows get opened at night.  I can start making soup and chili again (with a pan of hot cornbread to go with it, yum yum)…and then along comes an Indian Summer and everything gets put away/shut again…I can’t drink enough iced tea to stay cool.  Of course, living in Central Texas, the changes here aren’t as pronounced as they are in more northern regions, and we usually always have cycles of warm/cool as opposed to straight cold through to March.   

The pecans have started falling, and I have taken the kids gathering.  East/Central Austin is densely populated by big, well-established pecan trees, so they are free for the picking on school grounds, at several parks, in parking lots, and all over the streets and sidewalks.  One time we went picking pecans, we were all layered in hoodies and jeans, but the next time we were in shorts and flip-flops and the boys wanted to take their shirts off because it was so hot.  It is an odd, shifting dance, this, a Texas autumn.

And I do look forward to Thanksgiving and Christmas and New Years, so there are the coming festivities.  Peppermint mochas and pumpkin spice lattes are back at Starbucks.  Shopping will become a passtime, the gift-giving a happy/fun/excitement that shines in everyone’s faces.   All of those gathered pecans will be made into pies, cakes, candies, and such.

So…what’s not to like? 

The obvious passing of time.  The shortened, dark days.  Being cold.  Having to wear so many dang clothes that it necessarily multiplies the laundry chores.  Dry skin.  The unrequited craving for a beach trip that would allow me to actually get in the water.  Wishing the drab, dreary brown could be green again.  Hearing those less-than-joyous opinions/attitudes during the holidays–nobody can be happy all the time, sure–but those people who are actively harsh on the cheer of the season…oh, they wear me down, and I just want it all to be over…back to “normal.”

But the real thing is the dark.  I love the night, but I don’t want it starting at 5:30…that’s still daytime.  I feel…pressured…to get all of my daytime stuff done before the sun sets, because after the sun sets, that’s when I need to think about writing and being creative.  If I still have to deal with chores and errands and cooking and cleaning and going to the grocery store and sports practices…blah, blah, blah…how do I set to paper all the background thoughts that are whirring away in my mind?  It is a constant sense of “do it” stacked on top of “not right now” that happens every day for almost half of the year.  During the Spring/Summer months, I can do all of my “life stuff” before the sun sets and THEN it’s time to write.   It’s nice and clear cut.   In the Fall/Winter, it gets all messy in my head.

So.  How to unmussify?  I have thought about this long and hard, and I have decided it must be managed.  No more excuses like “it’s cold and dark, I have to do the dishes, and the laundry, etc., and now I’m too tired, and it’s time for bed.”  That’s pretty lame.  And I know what I am going to do:

Make a plan!

1.  Enjoy the good parts of the seasons changing.  Hooray for Peppermint Mochas!

2. Make time for your vocation everyday, no matter the season, no matter the day. 

3. Stop making excuses and get down to the nitty gritty!  Roll up your sleeves (or put on your pajamas), and get to freaking work already.

AND so, it comes time to think about a writing prompt.  I think a good one, given my personal discontent with the shortening days, is to include the details of the season in the setting of a scene.  Capturing all the sense details…sights, scents, sounds, tastes, how things feel to the touch…specific to the season will really “solidify” and paint the scene/setting in which your characters are operating.  Also, consider a feature of characterization:  How does your character feel about long days? Snow? Holidays?  The only caveat I will put next to this exercise is to make sure you are “showing” and not “telling,” and don’t let too many details bog down the flow of your writing.

Good luck!

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October 6, 2012 · 11:56 am

Issues, Man, Issues…

I had a friend when I worked at a different job about a decade ago who would always say this as we walked past his desk:  “Issues, man, issues…” He was from another country and thought that most of our daily seriousness was completely unfounded.  That most of our “issues” were made up and self-imposed, and probably–rightly so, for most of us–completely self-focused and not all that important.  His mocking false-seriousness was almost always enough to make us laugh.

“Sit,” he would say, “Have an apple (or corn, or orange, or almonds, or whatever he had at his desk that day).  It will make you feel better.  The sun is shining, it is a new day, we are still breathing, life is good.” 

I really miss him sometimes.  And I think about how petty some of my concerns can be.  How my dogs are getting my floor dirty.  How my kids are eating the fancy crackers I meant to take to work next week.  How long I spent folding the laundry only to find it tumbled about in the laundry basket the next day.  It doesn’t really matter.  I am glad to wake up to my dogs, my kids, my less than perfect pile of clean clothes, because it means I have them. 

And I have my hands, my mind, and enough wherewithal to come up with stories and ideas and classes I want to teach.

I think the take away is to let all of those “issues” fade away into the “not that important” part of my brain, where hopefully they will just disappear.  Instead of fretting about…anything…I would rather delve into my art. 

That pile of clean clothes has me thinking of the novel I plan to work on during November, aka, Nanowrimo:  National Novel Writing Month.  It’s about a homeless girl who has decided the best mode of survival is to not seem homeless.  I wonder how she would manage clean clothes.  I’m going to take that as a writing exercise today.  And I challenge you to consider some day-to-day thing we take for granted and how it impacts one of  your characters.  It can be anything from change for the bus, a cell phone that is lost, a broken shoe, a “spilled-upon” pair of pants right before an interview…anything, really.  How does this “thing” impact your character?  Do they see it as a non-issue, or a major one.  The outcome can be hilarious or tragic…

Good luck with your issues!

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